1 comment / Posted on by Wiggy Bamforth

"I have enjoyed being contradictory"
Frida Kahlo
 
Opening on Sunday, the V&A Museum's latest exhibition in London is a beautifully constructed show exploring the personal and private image of Mexican artist Frida Kahlo. 
  
V&A Museum | Frida Kahlo Making Her Self Up
Frida Kahlo with Olmec figurine, 1939. Photograph Nickolas Muray. © Nickolas Muray Photo Archives
 
Highly stylised and immediately recognisable, Kahlo's iconic appearance was not just a statement about her artwork and political views in post-revolutionary Mexico, but an expression of her own identity, carefully constructed through her clothes and makeup to reflect her cultural, political and feminist values.  
 
V&A Museum | Frida Kahlo Making Her Self Up
Cotton huipil with machine-embroidered chain stitch; printed cotton skirt with embroidery and holán (ruffle) ©  Museo Frida Kahlo
 
Breaking away from European and American beauty ideals through her reclamation of Mexican culture in a post-revolutionary country, Kahlo's use of traditional costume and carefully staged glamour reflected her own mixed-race (mestizo) identity, as well as the alignment of her self with the new Mexicayotl movement.
 
V&A Museum | Frida Kahlo Making Her Self Up
Revlon compact and powderpuff with blusher in ‘Clear Red’ and Revlon lipstick in ‘Everything’s Rosy’; emery boards and eyebrow pencil in ‘Ebony’. Before 1954. Photograph Javier Hinojosa. © Diego Riviera and Frida Kahlo
 
In this beautiful exhibition of two halves, Frida at her most beautiful and glamorous contrasts strikingly with personal and poignant pieces never before seen outside of Mexico. Locked away for fifty years after Kahlo's death in 1954, this exhibition puts on display some of Frida's most personal belongings alongside the artwork their inspired. Not just clothes and letters, but intricately hand-painted medical corsets, cosmetics, personal photographs and even her prosthetic leg.
 
V&A Museum | Frida Kahlo Making Her Self Up
Frida Kahlo in blue satin blouse, 1939. Photograph Nickolas Muray © Nickolas Muray Photo Archives
 
Some of the most poignant pieces in this collection are also those which show Kahlo at her most vulnerable. A collection of plaster corsets and spine braces used to relieve the pain in Kahlo's back have been intricately hand painted by the artist as she wore them using a hand mirror. As well as flowers and fauna, Kahlo depicted communist symbols on the chest of several of these, and one in particular (dating from shortly after a miscarriage) depicts a drawing of a foetus over Kahlo's belly. 
 
V & A Museum | Frida Kahlo: Making Her Self Up
Plaster Corset, around 1950, Mexico. From the collection of Jan Hendrickx. Photography by Richard Thomas. 
 
V&A Museum | Frida Kahlo Making Her Self Up
 
Prosthetic leg with leather boot. Appliquéd silk with embroidered Chinese motifs. Photograph Javier Hinojosa. Museo Frida Kahlo. © Diego Riviera and Frida Kahlo Archives
 
  V & A Museum | Frida Kahlo: Making Her Self Up
Trio of photographs of Frida Kahlo pinning up her hair, photographed by Julien Levy, 1938. Photograph by Richard Thomas
 
V & A Museum | Frida Kahlo: Making Her Self Up
Kahlo's outfits displayed in the central room of the exhibition. Photograph by Richard Thomas 
 
Frida Kahlo: Making Her Self Up
16 June – 14 November 2018
The V&A Museum, London
 
  
The V&A Museum have also published a book to accompany the exhibition:
Frida Kahlo: Making Her Self Up
 

Copyright for the works of Frida Kahlo: ©  2018 Banco de Mexico, Fiduciary Trust of the Diego Rivera and Frida Kahlo Museums, Av. 5 de Mayo, No. 2, Col Centro, Del. Cuauhtemoc 

With thanks to sponsors Grosvenor Britain & Ireland, Aeromexico, Art Mentor Foundation Lucerne and GRoW@Annenberg
Sponsored by Grosvenor Britain & Ireland

1 comment

  • Posted on by Emma Sturgess

    We went to see the exhibition on Sunday, I highly recommend it! She’s such an inspiring artist and woman, meeting the world on her own terms and leaving a fantastic legacy for all of us who follow in her wake.

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